So: AAC, CPA and I are still in the afterglow of our magical week in Paris. I’ve shared a lot of it with you already, but I wanted to tell you about two exhibits we saw last Thursday – our last day in Paris – which were as different as night and day, but equally valid and important.
You probably already know that, back in the day, the Jeu de Paume housed the impressionists before the Musée D’Orsay was restored over 30 years ago, at which point the art was moved there. Between 1947 and 1986, Jeu de Paume was arguably the most notable museum of impressionist painting in the world. While the D’Orsay restoration was under way, AAC, CPA and I made our first visit to Paris and visited the Jeu de Paume specifically to see the art that was then on display. It was breathtaking. But, once the Musée D’Orsay opened its doors, we never returned to the Jeu de Paume.
Jeu de Paume at the edge of the Tuileries at the Place de la Concorde
Until last Thursday, that is, when we went to see an exhibition entitled Soulévements (Uprisings). Georges Didi-Huberman, curator of the exhibition, says:
“What makes us rise up? It is forces: mental, physical, and social forces. Through these forces we transform immobility into movement, burden into energy, submission into revolt, renunciation into expansive joy. Uprisings occur as gestures: arms rise up, hearts beat more strongly, bodies unfold, mouths are unbound. Uprisings are never without thoughts, which become sentences: we think, express ourselves, discuss, sing, scribble a message, create a poster, distribute a tract, or write a work of resistance.
” . . . . whenever a wall is erected, there will always be “people arisen” to “jump the wall”, that is, to cross over borders. If only by imagining.”
Presented in five sections: “With Elements (Unleashed)”, “With Gestures (Intense)”, “With Words (Exclaimed”), “With Conflicts (Flared Up”), and “With Desires (Indestructable)”, the exhibit spans over 200 years. It is challenging, provocative, sometimes difficult to view, but, also, inspiring and extremely timely.
“With Elements”: The Whims, Francisco de Goya, 1799
“With Gestures”: Anti-Catholic demonstrations in Londerry, Gilles Caron, 1969
“With Words”: Dada raises everything, Philippe Soupault, 1921
“With Conflicts”: The Charge, Félix Vallotton, 1893
“With Desires”: Preparatory Drawing for “The Hope of the Dead Man I, II and III”, Joan Miró, 1973
Unfortunately, the exhibit is ending on January 15th but, if you’re in Paris and want to spend a couple of hours seeing an extraordinary array of images, Soulévements is for you.
CULTURE TIP: Jeu de Paume: Soulèvements
After that extremely intense experience, it was time to hop back onto the Metro and head across town to the Bibliothèque nationale de France to see a fabulous exhibit entitled “Avedon’s France: Old World, New Look”. We’re speaking now of Richard Avedon (1923-2004), one of the most significant and influential photographers of the mid-to-late 20th century.
A prolific artist, Avedon worked in many media but he is, perhaps, best remembered in the United States for his fashion photography, celebrity portraiture and, most especially, for the 1957 film, Funny Face, in which Fred Astaire plays a photographer named Dick Avery (get it?) who plays Pygmalion to Audrey Hepburn’s Galatea.
It’s a marvelous MGM musical (check the film’s credits to see all the creatives from that studio) but which, for contractual reasons, was actually produced by Paramount (which wouldn’t release Hepburn to MGM, so everyone schlepped over to Paramount). Mostly set in Paris, Avedon was the visual consultant and created some sensational images that are as astonishing now as they were 60 years ago. In fact, the first thing you see at the exhibit is a large circular room dedicated to Funny Face.
MOVIE TIP: Funny Face Montage, Photography by Richard Avedon
AAC, CPA channels Audrey Hepburn in his homage to Avedon
Here are some of Avedon’s remarkable images from Funny Face:
This image became the logo for the film.
Suzy Parker in the opening of the film: “Think Pink!”
Dorothy Virginia Margaret Juba, a/k/a Dovima
Audrey Hepburn with an assist from The Winged Victory of Samothrace
The Avedon exhibit runs through February 26th, and I encourage you to make the trek. You’ll have a great time.
CULTURE TIP: Bibliothèque national de France: Avedon’s France: Old World, New Look
All in all, a day well spent by AAC, CPA and me.