Au revoir, Paris: Our Photo Album

Bon soir, mes amis! This will be my last entry on our holiday trip to Paris and, instead of a lot of gabbing, it’s just going to be photos taken while we were there. Some you may have seen in earlier entries but there are some new ones here, too.

Enjoy!

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Friday evening: British Airways offers on-the-ground-buffet dining for some overnight flights

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AAC, CPA taking advantage of same

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Our Open Skies cabin

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Saturday morning: Checking into the fabulous Peninsula Paris

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Saturday afternoon: AAC, CPA arrives at the Arch de Triomphe: Bon jour, Paris!

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And then grabs lunch at Ladurée just down the Champs Elysses

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Classic Club Ladurée

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The hotel provides us with our own stockings

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Saturday evening: Negronis at Bar Kléber at the Peninsula

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Followed by Christmas Eve dinner at Bistrot de L’Oulette

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Sunday morning: Christmas continental breakfast at Le Lobby

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Sunday afternoon: checking out the competition – Four Seasons George V

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Sunday evening: Pre-opera dinner at L’Opera

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Followed by AAC, CPA at the Palais Garnier

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The grand foyer and Christmas tree at the Palais Garnier

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Iphigénie en Tauride curtain call

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Christmas Night: the Champs Elysses all gussied up

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Monday morning: Irina, of Paris Muse, shows us the Louvre

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And we get to see the Mona Lisa. Wait, what???

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Monday evening: AAC, CPA arrives at Le Grand Véfour

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The jewel-box dining room at Le Grand Véfour

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Sensational duck liver ravioli – one of their “Classics”

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Post-dinner view from our Uber on the way back to the hotel

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Tuesday morning: AAC, CPA takes Le Metro to our next Paris Muse tour

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AAC, CPA outside of Notre Dame Cathedral

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And with our terrific Paris Muse guide, Jason

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Tuesday evening: Cocktails and dinner at Monsieur Bleu

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Cool light fixtures at Monsieur Bleu

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View from the best tables at Monsieur Bleu

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Wednesday afternoon: Lunch at Caviar Kaspia

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You always get pickles with your caviar – a Russian thing?

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2nd course of “The Rasputin Set” – caviar with a baked potato

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Famous sites on the way back to the hotel: the Madeline

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Place de la Concorde – late afternoon

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Wednesday evening: 42nd Street at Théâtre du Châtelet

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AAC, CPA at Théâtre du Châtelet

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42nd Street onstage at Théâtre du Châtelet

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Thursday morning: Paying a visit to Jeu de Paume

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Seeing the exhibit “Uprisings”

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Thursday afternoon: And now over to Bibliothèque nationale de France

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AAC, CPA pays homage to Richard Avedon and Audrey Hepburn

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Part of the Avedon exhibit at Bibliothèque nationale de France

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Thursday evening: Gala farewell dinner at L’Oiseau Blanc atop the Peninsula Paris

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The view from our table at L’Oiseau Blanc

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AAC, CPA takes a picture at L’Oiseau Blanc

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A replica of the actual L’Oiseau Blanc (The White Bird)

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Friday morning: AAC, CPA heads back to reality and New York City

That’s all, folks!!

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Thursday in Paris: Two Exhibits

So: AAC, CPA and I are still in the afterglow of our magical week in Paris. I’ve shared a lot of it with you already, but I wanted to tell you about two exhibits we saw last Thursday – our last day in Paris – which were as different as night and day, but equally valid and important.

You probably already know that, back in the day, the Jeu de Paume housed the impressionists before the Musée D’Orsay was restored over 30 years ago, at which point the art was moved there. Between 1947 and 1986, Jeu de Paume was arguably the most notable museum of impressionist painting in the world. While the D’Orsay restoration was under way, AAC, CPA and I made our first visit to Paris and visited the Jeu de Paume specifically to see the art that was then on display. It was breathtaking. But, once the Musée D’Orsay opened its doors, we never returned to the Jeu de Paume.

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Jeu de Paume at the edge of the Tuileries at the Place de la Concorde

Until last Thursday, that is, when we went to see an exhibition entitled Soulévements (Uprisings). Georges Didi-Huberman, curator of the exhibition, says:

“What makes us rise up? It is forces: mental, physical, and social forces. Through these forces we transform immobility into movement, burden into energy, submission into revolt, renunciation into expansive joy. Uprisings occur as gestures: arms rise up, hearts beat more strongly, bodies unfold, mouths are unbound. Uprisings are never without thoughts, which become sentences: we think, express ourselves, discuss, sing, scribble a message, create a poster, distribute a tract, or write a work of resistance.

” . . . . whenever a wall is erected, there will always be “people arisen” to “jump the wall”, that is, to cross over borders. If only by imagining.”

Presented in five sections: “With Elements (Unleashed)”, “With Gestures (Intense)”, “With Words (Exclaimed”), “With Conflicts (Flared Up”), and “With Desires (Indestructable)”, the exhibit spans over 200 years. It is challenging, provocative, sometimes difficult to view, but, also, inspiring and extremely timely.

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“With Elements”: The Whims, Francisco de Goya, 1799

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“With Gestures”: Anti-Catholic demonstrations in Londerry, Gilles Caron, 1969

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“With Words”: Dada raises everything, Philippe Soupault, 1921

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“With Conflicts”: The Charge, Félix Vallotton, 1893

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“With Desires”: Preparatory Drawing for “The Hope of the Dead Man I, II and III”, Joan Miró, 1973

Unfortunately, the exhibit is ending on January 15th but, if you’re in Paris and want to spend a couple of hours seeing an extraordinary array of images, Soulévements is for you.

CULTURE TIP: Jeu de Paume: Soulèvements

After that extremely intense experience, it was time to hop back onto the Metro and head across town to the Bibliothèque nationale de France to see a fabulous exhibit entitled “Avedon’s France: Old World, New Look”. We’re speaking now of Richard Avedon (1923-2004), one of the most significant and influential photographers of the mid-to-late 20th century.

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Richard Avedon

A prolific artist, Avedon worked in many media but he is, perhaps, best remembered in the United States for his fashion photography, celebrity portraiture and, most especially, for the 1957 film, Funny Face, in which Fred Astaire plays a photographer named Dick Avery (get it?) who plays Pygmalion to Audrey Hepburn’s Galatea.

It’s a marvelous MGM musical (check the film’s credits to see all the creatives from that studio) but which, for contractual reasons, was actually produced by Paramount (which wouldn’t release Hepburn to MGM, so everyone schlepped over to Paramount). Mostly set in Paris, Avedon was the visual consultant and created some sensational images that are as astonishing now as they were 60 years ago. In fact, the first thing you see at the exhibit is a large circular room dedicated to Funny Face.

MOVIE TIP: Funny Face Montage, Photography by Richard Avedon

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AAC, CPA channels Audrey Hepburn in his homage to Avedon

Here are some of Avedon’s remarkable images from Funny Face:

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This image became the logo for the film.

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Suzy Parker in the opening of the film: “Think Pink!”

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Dorothy Virginia Margaret Juba, a/k/a Dovima

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Audrey Hepburn with an assist from The Winged Victory of Samothrace

The Avedon exhibit runs through February 26th, and I encourage you to make the trek. You’ll have a great time.

CULTURE TIP: Bibliothèque national de France: Avedon’s France: Old World, New Look

All in all, a day well spent by AAC, CPA and me.